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look
listen
smell
touch
taste
process the process.
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An assortment of toasts with surprise toppings, customised for each guest.
As a fourth-generation South-Asian expat raised in Dubai, in a family of food merchants and enthusiastic cooks, the indoor supermarket became the central place for food provision in Bhavika’s home. The supermarket was a haven of possibilities and a site of convergence. As Dubai transitioned from a desert region to a cosmopolitan city, contrasts erupted between a need to preserve ancestral cuisine from a motherland, agricultural limitations in the form of no fresh produce, yet flourishing international trade routes.
This shift paved way for a changing approach to cooking. Recipes needed to substitute ingredients with more accessible ones, oftentimes borrowing from other cultures, or finding more economical solutions. This cuisine-agnostic pantry now became the new constant, fuelling Bhatia’s approach to creating anything in the kitchen absorbed by the adage of “Make best of what you have”, less from a mindset of scarcity, more from a mindset of abundance and beady-eyed curiosity. Having developed a cooking style that melds structure and play, sitting on the fence between comfort and surprise, she is rooted in the belief that the ingredients of complexity are merely myriad layers of simplicity.
With a little bit of kitchen magic, she celebrates her paths crossing with her audience by using a piece of toast as a canvas to commemorate the brevity of the unknown, creating flavour experiences unique to her in
Thinking about the association of tea time in South Asian households as we know it, with how synonymous it has been with a fiercely passionate snack culture, Bhavika Bhatia delves deeper into understanding the connections behind the foods as we know them to be through migration, colonisation, adaptation, and finally, reclamation.
There’s something to be said for how South Asia reclaimed “Tea Time”, a meal-time adopted by the South Asians from when their land was colonised by the British rule, where the concept of an aristocratic “high-tea”, laden with sweet, delicate pastry delicacies and soft, muted cups of tea – a formal social past time for the governing White rich, was reclaimed by the local Brown inhabitants and became an informal, casual tradition of loud, spicy and savoury snacks and louder, bolder pyaalis of chai.
Find something you love, and then find 100 ways to love it.
This is the philosophy by which Bhavika Bhatia lives. Her zesty approach towards food is a culmination of blending curiosity with kitchen alchemy, flavour, colour, culture, and improv— almost surrendering to what is available to her and intuitively exploring sensory connections between taste, smell, sight, sound, texture, and emotion.
Bhavika has spent the last ten years of her life zanily immersed in understanding design. Having completed her B.Des in Visual Communication from Symbiosis Institute of Design, Pune, India, she began her career as graphic designer, illustrator, and visual stylist in Bombay, India, and then went on to bridge design with her 28-year-long relationship with food. Bhatia stepped (or rather, blindly plunged) into the F&B industry because of how strongly she felt towards the food we cook and eat, and its place on our tables: she co-founded and creatively leads Moreish, a home-grown dining concept restaurant serving the freshest, eclectic, home-cooked style food. Moreish is built on the philosophy of inclusivity, creativity, and accessibility, immersing guests in flavours and conversation, all as a mere attempt to make quality culinary experiences available [read : affordable], and approachable to people from any and all walks of life.
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