Signed in as:
filler@godaddy.com
Signed in as:
filler@godaddy.com
Pan-fried red snapper on a pounded sauce of Dubai balcony herbs and lemon
Dietary restrictions: contains fish
Five Morsels of Letting Go is a performance that maps the transition of a being from one state to another, from breathing a life to nurturing another body in the form of food.
Richi’s practice oscillates between the private and the public, both contextually and physically. Between monologue and dialogue, between absorbing and understanding a space and reiterating the meaning of a space, between acts and conversation.
Illustrating the above, her recent visits to fish markets have generated observations and thoughts of consumption and hierarchy while simultaneously pushing her to see ‘the market’ as a place beyond its peripheries and established meaning. For her, the market has presented itself as a large burial ground or perhaps a cemetery with dead bodies and open mouths and seemingly incomplete conversations. The place has become a representation of an ocean inside a concrete space or rather inside a packet.
She is interested in the slow acts of transformation that take and mutate these beings from one form to another. Fish becomes fillet. She accounts the emotional and commercial value that gets attached to a being at various stages of becoming and understanding and where the agency of life diminishes. She describes Five Morsels Of Letting Go as a soliloquy overheard by Nahla and Chef Nadeem, that will engage within the ritual of mutation and letting go alternatively.
Participating in Alserkal Avenue’s What The Food, Farah Nasrawi, kōl, Luchie Suguitan, Bhavika Bhatia, Richi Bhatia, Andrew Riad and Nahla Tabbaa (with Moza Almatrooshi, Salma Serry and Namliyeh) elaborated on Andrew’s previous workshop, Egyptifying Petit Fours. The tea-party was curated to activate a site for collective reflections and informal discussions around an imagined tea party in an attempt to decolonise the ‘tea party’ as we know it. The tablescape was an imagined menu of drinks and snacks absent of ever being colonised.
Soliloquy, made in collaboration with Andrew Riad is in response to Egyptifying Petit Fours and Preserving Coptic Traditions. The work incorporates a traditional recipe made using Ringa (in the form of a salted fish); prepared a day after Easter to welcome spring by Copts. With an attempt to preserve the palatable takes the form of an edible archive. The images made across various fish markets across India and Dubai over a period of two years present themselves as thoughts and conversations.
Biography: b. 1990, India
Richi Bhatia is an Indian artist based between Ahmedabad and Dubai, she works in performance, drawing, installation, food, assemblages and whatever more medium that takes to get her idea across. Her works have been cultivated and shown within private and intuitional places in India and abroad.
Over the last decade Richi’s practice has transitioned into non-taxonomical ways of looking at human – animal interactions. Her installations, text & material based scrolls and assemblages create a feedback, responding to the synergy between the bodies, sound and arrangement of/in meat and fish markets. She is interested in the slow acts of transformation that unpack her practice through processes, collection of objects and sound.
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