Signed in as:
filler@godaddy.com
Signed in as:
filler@godaddy.com
2021 - ongoing
"To ‘rewild’ is to restore a material or environment to its natural state. In my culinary practice I am in a constant state of rewilding. My pantry has been released from performing prescribed recipes, and instead, these spices and condiments are now actors and storytellers with agency, and my own body with her complex emotions and cravings, a porous alchemical vessel. Together, we concoct dishes that heal, dishes that resist colonisation, , dishes that reenact and resurrect memories, dishes that seduce, dishes that transcend my cultural heritage, and dishes that surprise.
In 2021, Kevin Jones commissioned me to write about the world views of artists whose practices intersected with food for alserkal.online. I interviewed Salma Serry (Sufra Kitchen), Moza Al Matrooshi, Aya Shaban (Namliyeh) and Manal Abu Shmais (Namliyeh) about their approaches to land, nationhood, and colonisation through the lens of food.
Additionally, they provided me with recipes for summer coolers, which were served at various events in Alserkal Avenue, and whenever possible, they hosted workshops exploring fictional writing and memory.
The culinary/art landscape is growing, signposting new practices and research in the fields of food, landscape and writing. This inspired me to create a residency-like programme, which led to an open call with the Alserkal Arts Foundation. Announced in March 2023, we on-boarded 15 participants. In my search for suitable collaborators to take up residence with me in the Alserkal Arts Foundation kitchen, I intentionally selected a cohort who came from diverse yet complementary backgrounds: professional chefs, practising artists, writers, and performers.
My methodology included finding ways in which the kitchen could become a space of production, experiments, and conversations; a site that would eventually transform itself into our home. The comfort and ease with which we were able to gather together—often chaotic and very warm—became invaluable. I donated my personal pantry and kitchen tools, which in themselves are an amalgamation of travels, precious ingredients, and equipment that have supported my practice. I also loaned my personal library of cookbooks, artists’ books, and zines to support and inspire the cohort. The Foundation allowed me and my family of kitchenware and books to settle into the space.
I invited long-time collaborators to host sessions that combined writing, cooking, performance, and reflective discussions. The hosts were Moza Almatrooshi, The Alchemy of Dyeing, Dulce De Mirchi, Andrew Riad and Sondos Azzam. Each brought sensitivity, play and criticality into the space. Each session was punctuated by mentorship and experimental writing prompts led by Kevin Jones, who brought out another layer of collectivity within the cohort—listening to each other’s intimate pieces of writing. We further organised an excursion to the Sharjah Biennial, and film screenings that expanded themes of food, ecology, poetry, and more. We also left room for the cohort to self-organise, collaborate, and support one another.
Every session concluded with a meal, either supplied from our own personal kitchens, or impromptu dishes we created on the spot.
More deeply, Rewilding the Kitchen prompted the cohort to unlearn concepts of nostalgia, romanticising food, or the trap that as chefs we often find ourselves in. We work so hard to preserve our cultures through the lenses of singular nationhood loyalty, and we often neglect the self in this process. I have found that we are very ready to speak about, for example, our grandmothers’ recipes as noble legacies, yet bypass what her circumstances in making this dish were. Our relationship with food and memory is complex, and the more difficult conversations around addiction, grief, socio-economic circumstances and how our own emotions translate into food alchemically, are difficult subjects to broach. I prioritised creating a safe space, threading these vulnerable subjects into conversations, writing prompts, and cooking in ways that set everyone free.
Every session brought participants closer to this sense of self, unhinging and unravelling a collection of personal projects that are multidisciplinary and sensorial, and pivotal steps in their practices.
It has been evident and delightful to be surprised by how the learnings in the sessions spilled into into menus, texts, and flavours—whether by presenting a sesame oil that is salted and painted onto bread, or an edible soil holding caramelised seasonal fruits, a traditional rice dish shaped into singular morsels, amplified kitchen bangs and crackles, and choreographed mundanity.
This booklet reads like a scrapbook of writing, images, and recipes that are only a morsel of the generous outcomes produced throughout Rewilding the Kitchen. You are invited to try out these recipes, read the essays, and consider your ways of rewilding your kitchen."
The team and the artists:
Founder and Curator
Nahla Tabbaa
Participating artists
Abbie De Garza
Abdullah Alkindi
Abeer Loan
Andrew Riad
Aya Afaneh
Bhavika Bhatia
Farah Nasrawi
Jehan Ali
Lamya Tawfik
Luchie Suguitan
Narimene Hakimi
Richi Bhatia
Shannon Ayers Holden
Shereen Saif
Zina Akrout & Fouad Boudjedra of kōl.
Alserkal Arts Foundation Team
Nada Raza
Diane Mehanna
Kevin Jones
Athija Alserkal
Mariam Abdellatif
Shama Nair
Natasha Wanigaratne
Laura Navarro
Nikoo Ghazvini
Design Team
Sandy Zavzavadjian
Rabila Kidwai
Marketing Team
Rahul Menon
Neha Khandwani
Nikhil Roy
Antonia Hodges
Mridula Muraleedharan
Dhils Paul
Bestin John
Muhammad Inam Afrin
Emelyn Dador
Stephen Kigoye
Rajesh Nair
Kumar Damodaran Nair
Syed Makhdoom
Hassan Hamisi Mbiru
Judith Montes
Nicoline Achu Shiri
Photography and Documentation
Seeing Things
Daryll Borja
Nino Consorte
The Kitchen Hosts
Nahla Tabbaa
Moza Almatrooshi
Andrew Riad
Sondos Azzam
Dulce De Mirchi
The Alchemy of Dyeing
Kevin Jones
Culinary and Production Support
Chef Dalia Arja
Chef Nadeem Khan
Punam Luhar
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